begins today in the third week of training within the project What am I doing here?
The baton passes to Myrtle Baliani , which divided the work into three phases .
- Discovery of the "sonic potential" of each participant through physical exercises and music, while ensuring that individual differences and ability to converge to the formation of a group sound with a high ability to listen. Starting with the primal rhythm as a source of music, voice and body as the first tool to use sound-object construction, or real instruments.
Or still collecting soundtracks from the environment, from the experience of each recording sounds, modes of language, idiomatic expressions.
- the second phase, closely linked to the first, to be progressive narrative content to work with, we proceed to composition of songs " through textual stimuli from musicians, poets and writers.
Through creative writing exercises, elements of theatrical improvisation, sensory games, bring out the main arguments heard from the group, what is urgent to say.
- In the third part of the work experience opportunities for interplay between content and form sound discoveries have emerged through recordings, samples electronic and rework.
Up to the construction of one or more "tracks" of sound , you can submit through performances and recorded on digital media such as memory of the journey undertaken.
The terms and forms of sound-musical will be adopted from time to time and other closely related to the specific characteristics of the group and the nature of the issues raised in the work may be rhythmic or sing, rap or spoken, built on the classical-folk or assembled in a manner extrapolated from contemporary musical research.
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